In this exhibition, I look for a relationship which has remained as an ambiguousarea through many years, between a past when I painted faces which were familiar to me surrounded by squares from all sides, then soon these faces turned outof their strict geometric dimensions toa free space for a particular body which does not introduce itself clearly to the viewer, but borrows from who looks at another eye that interprets the scene and confirms the light with its explosions in the middle of darkness made by myself so as to translate the spirit of the particular.
Yet the body which I then painted and always insisted on me as to old works since the eighties, was disguised in the shape of lines or colored spaces which are closer to abstractionuntil the year 1999 of the last centurywhena case of passion was set off in (Contours of the Body), the exhibition where I introduced womanas a whole in a rhythm which is of the spirit of abstractionwithout borrowing its shape and symbols and they are the first steps before the square, and here I am now returning from a journey which lacked oxygen, in the opinion of my Moroccan Artist Friend Jared, to more free space and fully loaded with revelation,which I present in (Maqamat Jasad).