My Dear Friend,
I was very happy that you showed me part of the works of your new exhibition; it was a pure pleasure Oh the painter of pure pleasure, as the critic Farouq Yousef likes to call you. During our recent conversation, my attention was not drawn to your talk about the body in your latest works, and even when you were confused about choosing a title for this exhibition and at that time, I suggested the concept of the body contour while I was talking to you about square and circling, I was not also stopped by the beginning of a return to the indications of personification as much as what had drawn my attention is the visual issue you have which became more flexible due to oxygen drift in larger areas.
The beginning is to be before personification to the indications of the talk and from square to circling and from restriction to flexibility and from the rules of rational structure in painting to the return to self and from extravagance to frugality.
Jaloos avoidance of eruditepainting flow and the like in return foremancipation to what is being imposed by the lure of the insides, here you know about yourself more at a time when the chance does not know its way into your hands.
The transparent white advancedresolutely towards uncertainty to be secretive about painting scarves and its congested colors that echo, it is praise of innocence and the erotic dimension of innocence where your inspirer runs barefoot over the wrinkles of the painting and topographies of its alley under scented shadows. I do not hide this from you; this is exactly what fascinatesme: Is not everything becomes fascinating in the fog?
Dearest Mohammad,
There is no deeper than being loved by the silence,but it also puts you as it does to me towards nowhere, which is the beginning andthe end of the human being.
Rainbow has lured her.
The sky cries due to excessive happiness
Certainty is only a cloud that burstson the horizon
With my love
Ahmad Jared
An Artist from Morocco